{"id":1334,"date":"2022-02-11T09:30:35","date_gmt":"2022-02-11T08:30:35","guid":{"rendered":"https:\/\/newsletter.opera.wroclaw.pl\/?p=1334"},"modified":"2022-02-11T12:30:42","modified_gmt":"2022-02-11T11:30:42","slug":"lukasz-ozga-don-juan-adidasy-i-baletki","status":"publish","type":"post","link":"https:\/\/newsletter.opera.wroclaw.pl\/?p=1334","title":{"rendered":"\u0141ukasz O\u017cga: Don Juan, adidasy i baletki"},"content":{"rendered":"<div><strong><span class=\"s1\">J<\/span>ak trafi\u0142e\u015b z G\u00f3rnego \u015al\u0105ska na Dolny \u015al\u0105sk do Opery Wroc\u0142awskiej?<\/strong><\/div>\n<div>Szuka\u0142em miejsca, w kt\u00f3rym m\u00f3g\u0142bym sp\u0119dzi\u0107 reszt\u0119 \u017cycia. Mam tu blisko rodzin\u0119. Wroc\u0142aw by\u0142 mi najbli\u017cszy. Mia\u0142em propozycje z r\u00f3\u017cnych teatr\u00f3w, ale przyjecha\u0142em do Opery Wroc\u0142awskiej 15 lat temu na przes\u0142uchanie i tak ju\u017c zosta\u0142o.<\/div>\n<div><\/div>\n<div>Tancerze s\u0105 troch\u0119 podr\u00f3\u017cnikami. Kariera baletowa jest do\u015b\u0107 kr\u00f3tka, wi\u0119c chc\u0105 znale\u017a\u0107 instytucj\u0119, w kt\u00f3rej mog\u0105 spe\u0142ni\u0107 si\u0119 zawodowo. Ja szuka\u0142em miejsca, w kt\u00f3rym m\u00f3g\u0142bym osi\u0105\u015b\u0107 i zacz\u0105\u0107 po prostu \u017cycie, w pe\u0142ni znaczenia tego s\u0142owa. Wroc\u0142aw i nasza opera bardzo mi si\u0119 spodoba\u0142y, wi\u0119c decyzja zapad\u0142a do\u015b\u0107 szybko. Znalaz\u0142em swoje miejsce, jest cz\u0119\u015bci\u0105 mnie.<\/div>\n<div><\/div>\n<div><strong>Jak ukszta\u0142towa\u0142 Ci\u0119 taniec?<\/strong><\/div>\n<div>Balet jest dla mnie niemal wszystkim. Oddaj\u0119 mu spor\u0105 cz\u0119\u015b\u0107 siebie, jednocze\u015bnie staram si\u0119 z powodzeniem prowadzi\u0107 \u017cycie prywatne. Wielu tancerzy \u017cyje tylko ta\u0144cem, to jest ca\u0142y ich \u015bwiat. M\u00f3j to r\u00f3wnie\u017c dom, rodzina i hobby, na kt\u00f3re staram si\u0119 znajdowa\u0107 czas, chocia\u017c przyznam, \u017ce mam go bardzo ma\u0142o, poniewa\u017c od dw\u00f3ch lat jestem ojcem. Bardzo lubi\u0119 uprawia\u0107 sporty: siatk\u00f3wk\u0119 pla\u017cow\u0105, tenis sto\u0142owy, badminton, chodzi\u0142em te\u017c troch\u0119 na squasha i p\u0142ywanie. Moj\u0105 pasj\u0105 s\u0105 te\u017c podr\u00f3\u017ce. Lubi\u0119 wyjecha\u0107 za miasto albo dalej, by pozna\u0107 nowych ludzi, zwyczaje, kuchnie\u2026<\/div>\n<div><\/div>\n<div><strong>Tw\u00f3j ulubiony kierunek podr\u00f3\u017cy?<\/strong><\/div>\n<div>Jest takie miejsce w Grecji, do kt\u00f3rego wracam co roku\u2026<\/div>\n<div><\/div>\n<div><strong>Legendarne miejsce dla artyst\u00f3w\u2026Wyspa Hydra?<\/strong><\/div>\n<div>Tak! Czuj\u0119 si\u0119 tam \u015bwietnie, by\u0142em tam ju\u017c sze\u015b\u0107 razy \u2013 przeszed\u0142em ca\u0142\u0105 wysp\u0119 wzd\u0142u\u017c i wszerz, uda\u0142o mi si\u0119 te\u017c pozna\u0107 lokaln\u0105 spo\u0142eczno\u015b\u0107 i kuchni\u0119.<\/div>\n<div><\/div>\n<div><strong>Leonard Cohen napisa\u0142 tam mn\u00f3stwo swoich tekst\u00f3w\u2026<\/strong><\/div>\n<div>Zgadza si\u0119 i Grecy o tym pami\u0119taj\u0105. Widzia\u0142em tam nawet spektakl, bardzo klasyczny, bo w teatrze pod go\u0142ym niebem, opowiadaj\u0105cy o \u017cyciu Cohena na tej wyspie. To naprawd\u0119 pi\u0119kne miejsce.<\/div>\n<div><\/div>\n<div><strong>Balet wype\u0142nia spor\u0105 cze\u015b\u0107 Twojego \u017cycia \u2013 ile musia\u0142e\u015b po\u015bwi\u0119ci\u0107, by zosta\u0107 tancerzem? Na pewno trzeba z\u0142o\u017cy\u0107 ofiar\u0119 z czasu\u2026<\/strong><\/div>\n<div>Jeszcze b\u0119d\u0105c w szkole stara\u0142em si\u0119 rozgraniczy\u0107 dwa \u015bwiaty, w kt\u00f3rych si\u0119 porusza\u0142em \u2013 dom wraz z kolegami z dzieci\u0144stwa oraz szko\u0142a baletowa i tamtejsze towarzystwo. Nie by\u0142o to \u0142atwe, a najwi\u0119kszym wyrzeczeniem by\u0142 wolny czas. Bywa\u0142o, \u017ce nie jecha\u0142em ze znajomymi na narty, bo ba\u0142em si\u0119, \u017ce skr\u0119c\u0119 nog\u0119, a przede mn\u0105 by\u0142 wa\u017cny spektakl. Teatr zawsze jest gdzie\u015b z ty\u0142u mojej g\u0142owy, dlatego codzienno\u015b\u0107 wymaga ode mnie sporej organizacji czasu.<\/div>\n<div><\/div>\n<div><strong>Jak Twoi koledzy z klasy reagowali na to, \u017ce \u0107wiczy\u0142e\u015b w balecie? <\/strong><\/div>\n<div>Bywa\u0142o r\u00f3\u017cnie. Dla wielu koleg\u00f3w to by\u0142o co\u015b \u015bmiesznego, temat do \u017cart\u00f3w. Dla innych co\u015b oryginalnego, nieznanego, przez co by\u0142em traktowany specjalnie, jako osoba, kt\u00f3ra robi co\u015b ekstra. Poza tym by\u0142em normalnym ch\u0142opakiem. Gdy by\u0142a potrzeba, zak\u0142ada\u0142em adidasy i gra\u0142em z kolegami w pi\u0142k\u0119, a potem przerzuca\u0142em si\u0119 na baletki i ta\u0144czy\u0142em na scenie w trykotach. To by\u0142 m\u00f3j atut i wykorzystywa\u0142em go. Odpowiada\u0142em na pytania i t\u0142umaczy\u0142em, \u017ce balet to nie tylko dziewczynki w r\u00f3\u017cowych sukienkach, tylko powa\u017cna sprawa i bardzo wymagaj\u0105ce zaj\u0119cie. Do\u015bwiadczy\u0142em tego, b\u0119d\u0105c w Bytomiu w szkole baletowej z internatem \u2013 mia\u0142em 10 lat, t\u0119skni\u0142em za rodzin\u0105 i nie by\u0142 to \u0142atwy okres. Jednak gdy wyszed\u0142em na scen\u0119, wiedzia\u0142em, \u017ce znalaz\u0142em swoje miejsce.<\/div>\n<div><\/div>\n<div><strong>Ju\u017c za moment zobaczymy Ci\u0119 na scenie Opery Wroc\u0142awskiej w\u00a0<em>Don Juanie.\u00a0<\/em>Tytu\u0142owy bohater w pop kulturowym rozumieniu to skuteczny uwodziciel i przystojny narcyz, kt\u00f3rego nie nale\u017cy bra\u0107 na powa\u017cnie, a w Twoim wydaniu zobaczymy w nim cz\u0142owieka <\/strong><strong>dotkni\u0119tego osobistym dramatem. Ta rola wydaje si\u0119 by\u0107 sporym artystycznym wyzwaniem. <\/strong><\/div>\n<div>Don Juan traktuje przedmiotowo wszystkie osoby, kt\u00f3re go otaczaj\u0105. To przykre. Jest wielkim egoist\u0105 i ma wszystko na pstrykni\u0119cie palca, ale nie jest szcz\u0119\u015bliwy. Mo\u017ce w\u0142a\u015bnie o to chodzi. W \u017cyciu trzeba do czego\u015b d\u0105\u017cy\u0107, a Don Juan nie ma tego prawdziwego celu. Nie chce si\u0119 z nikim wi\u0105za\u0107, patrzy tylko na siebie i przyzwyczai\u0142 si\u0119, \u017ce dostaje wszystko, czego zapragnie. Na koniec zostaje sam, wszystkie jego relacje s\u0105 chwilowe.<\/div>\n<div><\/div>\n<div><strong>Jak swoim ta\u0144cem poka\u017cesz t\u0119 samotno\u015b\u0107?<\/strong><\/div>\n<div>Chc\u0119 t\u0119 posta\u0107 zrozumie\u0107, na pewno musz\u0119 uruchomi\u0107 w sobie spore pok\u0142ady empatii. Na pr\u00f3bach ci\u0119\u017cko pracujemy, by zadba\u0107 o ka\u017cdy detal naszych postaci.<\/div>\n<div><\/div>\n<div><strong>Czy to bardzo wymagaj\u0105ca fizycznie rola?<\/strong><\/div>\n<div><em>Don Juan\u00a0<\/em>to spektakl skomplikowany. Zwykle jako tancerz mia\u0142em na scenie jedn\u0105 partnerk\u0119, a tutaj b\u0119d\u0105 trzy, do tego duety z Zanni i Diab\u0142em. Taniec z ka\u017cdym z nich to osobne wyzwanie, poniewa\u017c ka\u017cd\u0105 osob\u0119 czuje si\u0119 inaczej, do ka\u017cdej trzeba si\u0119 inaczej dostosowa\u0107.<\/div>\n<div><\/div>\n<div><strong>A co z nawi\u0105zywaniem blisko\u015bci z partneruj\u0105cymi Ci na scenie tancerkami?\u00a0<em>Don Juan\u00a0<\/em>jest spektaklem o zabarwieniu erotycznym.<\/strong><\/div>\n<div>Giorgio Madia stara si\u0119 nas wspiera\u0107, by ka\u017cdy z nas na scenie by\u0142 jak najbardziej autentyczny, precyzyjny. Jestem przyzwyczajony do blisko\u015bci na scenie, wi\u0119c nie czuj\u0119 wewn\u0119trznych ogranicze\u0144, szczeg\u00f3lnie, \u017ce estetyka baletowa traktuje o blisko\u015bci w spos\u00f3b artystyczny. Nie b\u0119dzie tu nic, co by mnie kr\u0119powa\u0142o.<\/div>\n<div><\/div>\n<div><strong>Jakie s\u0105 Twoim zdaniem trzy cechy dobrego tancerza?<\/strong><\/div>\n<div>Pracowito\u015b\u0107, pracowito\u015b\u0107, pracowito\u015b\u0107\u2026<span class=\"s2\">\ud83d\ude0a<\/span><\/div>\n<div><\/div>\n<div>\n<p style=\"font-weight: 400;\"><strong>\u0141ukasz O\u017cga: Don Juan, sneakers and ballet shoes<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>How did you get from Upper Silesia to Lower Silesia to the Wroc\u0142aw Opera House?<\/strong><\/p>\n<p style=\"font-weight: 400;\">I was looking for a place to spend the rest of my life. I have family close by. Wroc\u0142aw was close to my heart. I had proposals from various theatres, but I came to the Wroc\u0142aw Opera 15 years ago for an audition and that&#8217;s how it stayed.<\/p>\n<p style=\"font-weight: 400;\">Dancers are a bit of travelers. A ballet career is quite short, so they want to find an institution where they can fulfil themselves professionally. I was looking for a place where I could settle down and just start living life to the full. I really liked Wroc\u0142aw and our opera house, so the decision was made quite quickly. I have found my place here, it is a part of me.<\/p>\n<p style=\"font-weight: 400;\"><strong>How did dancing shape you?<\/strong><\/p>\n<p style=\"font-weight: 400;\">Ballet is almost everything to me. I give it a big part of myself and at the same time I try to successfully reconcile it with my private life. Many dancers live only for dancing, it is their whole world. Mine is also home, family and hobbies, for which I try to find time, although I must admit that I don&#8217;t have much of it, because I&#8217;ve been a father for two years. I really like practising sports: beach volleyball, table tennis, badminton, I have also done some squash and swimming. My passion is also travelling. I like to go out of town or further\u00a0 to get to know new people, customs and cuisine\u2026<\/p>\n<p style=\"font-weight: 400;\"><strong>Your favourite travel destination?<\/strong><\/p>\n<p style=\"font-weight: 400;\">There is a place in Greece where I return to every year&#8230;.<\/p>\n<p style=\"font-weight: 400;\"><strong>A legendary place for artists&#8230;Hydra Island?<\/strong><\/p>\n<p style=\"font-weight: 400;\">Yes, I feel great there, I&#8217;ve been there six times &#8211; I&#8217;ve walked the length and breadth of the island and I&#8217;ve got to know the local people and the cuisine.<\/p>\n<p style=\"font-weight: 400;\"><strong>Leonard Cohen wrote a lot of his lyrics there&#8230;<\/strong><\/p>\n<p style=\"font-weight: 400;\">That&#8217;s right, and the Greeks remember it. I even saw a performance there, a very classic one, because it was in an open-air theatre, telling the story of Cohen&#8217;s life on the island. It really is a beautiful place.<\/p>\n<p style=\"font-weight: 400;\"><strong>Ballet is a big part of your life &#8211; how much did you have to sacrifice to become a dancer? You certainly had to sacrifice time&#8230;<\/strong><\/p>\n<p style=\"font-weight: 400;\">When I was still at school I tried to separate the two worlds in which I was moving &#8211; my home with my childhood friends and the ballet school and the people there. It was not easy, and the biggest sacrifice was my free time. There were times when I didn&#8217;t go skiing with my friends because I was afraid I would twist my leg, and there was an important performance before me. Theatre is always somewhere in the back of my mind, so everyday requires me to organize my time.<\/p>\n<p style=\"font-weight: 400;\"><strong>How did your classmates react to the fact that you danced in ballet?\u00a0<\/strong><\/p>\n<p style=\"font-weight: 400;\">It varied. For many colleagues it was something funny, a subject for jokes. For others, it was something original, unknown, which made me get special treatment as someone who was doing something extra. Apart from that, I was a normal boy. When I needed to, I put on my sneakers and played football with my friends, and then I switched to ballet shoes and danced on stage in leotards. This was my asset and I used it. I answered questions and explained that ballet isn\u2018t just girls in pink dresses, it&#8217;s serious and very demanding. I experienced this when I was at a boarding ballet school in Bytom &#8211; I was 10 years old, I missed my family and it was not an easy time.\u00a0However, when I went on stage, I knew I had found my place.<\/p>\n<p style=\"font-weight: 400;\"><strong>In a moment we will see you on the stage at the Wroc\u0142aw Opera House in Don Juan. The title character in pop cultural understanding is a successful seducer and a handsome narcissist, who should not be taken seriously, while in your version we will see him as a man affected by a personal drama. This role seems to be quite an artistic challenge.\u00a0<\/strong><\/p>\n<p style=\"font-weight: 400;\">Don Juan treats all the people around him objectively. It is sad. He is a great egotist and has everything at the snap of his finger, but he is not happy. Maybe that&#8217;s the point. In life, you have to strive for something, and Don Juan doesn&#8217;t have that real goal. He doesn&#8217;t want to get involved with anyone, he only looks at himself and he&#8217;s used to getting everything he wants. In the end he is left alone, all his relationships are temporary.<\/p>\n<p style=\"font-weight: 400;\"><strong>How will you show this loneliness with your dance?<\/strong><\/p>\n<p style=\"font-weight: 400;\">\u00a0I want to understand this character, I definitely need to activate a lot of empathy in myself. During rehearsals we work hard to take care of every detail of our characters.<\/p>\n<p style=\"font-weight: 400;\"><strong>Is it a very physically demanding role?<\/strong><\/p>\n<p style=\"font-weight: 400;\">Don Juan is a complicated performance. Usually as a dancer I had one partner on stage, and here there will be three, plus duets with Zanni and the Devil. Dancing with each of them is a separate challenge, because each person feels differently, and you have to adapt to each one differently.<\/p>\n<p style=\"font-weight: 400;\"><strong>And what about establishing intimacy with the dancers who partner you on stage? Don Juan is a performance with an erotic tinge.<\/strong><\/p>\n<p style=\"font-weight: 400;\">Giorgio Madia tries to support us so that each of us on stage is as authentic and precise as possible. I&#8217;m used to closeness on stage, so I don&#8217;t feel any internal limitations, especially since ballet aesthetics deals with closeness in an artistic way. There will be nothing here that makes me uncomfortable.<\/p>\n<p style=\"font-weight: 400;\"><strong>In your opinion, what are the three qualities of a good dancer?<\/strong><\/p>\n<p style=\"font-weight: 400;\">Hard work, hard work, hard work&#8230;<strong>\ud83d\ude0a<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jak trafi\u0142e\u015b z G\u00f3rnego \u015al\u0105ska na Dolny \u015al\u0105sk do Opery Wroc\u0142awskiej? Szuka\u0142em miejsca, w kt\u00f3rym m\u00f3g\u0142bym sp\u0119dzi\u0107 reszt\u0119 \u017cycia. Mam tu blisko rodzin\u0119. Wroc\u0142aw by\u0142 mi najbli\u017cszy. Mia\u0142em propozycje z r\u00f3\u017cnych teatr\u00f3w, ale przyjecha\u0142em do Opery Wroc\u0142awskiej 15 lat temu na przes\u0142uchanie i tak ju\u017c zosta\u0142o. Tancerze s\u0105 troch\u0119 podr\u00f3\u017cnikami. Kariera baletowa jest do\u015b\u0107 kr\u00f3tka, [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":1358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualnosci"],"_links":{"self":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1334"}],"version-history":[{"count":6,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1334\/revisions"}],"predecessor-version":[{"id":1364,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1334\/revisions\/1364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/media\/1358"}],"wp:attachment":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}