{"id":1338,"date":"2022-02-11T09:20:17","date_gmt":"2022-02-11T08:20:17","guid":{"rendered":"https:\/\/newsletter.opera.wroclaw.pl\/?p=1338"},"modified":"2022-02-11T09:44:46","modified_gmt":"2022-02-11T08:44:46","slug":"o-kocie-zwanym-duchem-wagnera","status":"publish","type":"post","link":"https:\/\/newsletter.opera.wroclaw.pl\/?p=1338","title":{"rendered":"O kocie zwanym Duchem Wagnera"},"content":{"rendered":"
Poprosili\u015bmy Was o zdj\u0119cia kot\u00f3w i opowie\u015bci o kotach zwi\u0105zanych z oper\u0105. <\/b>Pan Henryk Kozio\u0142 z Orkiestry Opery Wroc\u0142awskiej podzieli\u0142 si\u0119 nami histori\u0105 kota, kt\u00f3ry kocha\u0142 muzyk\u0119 w wykonaniu naszej Orkiestry. Rzecz dzia\u0142a si\u0119 w<\/b><\/span> latach 2003-2006, kiedy Opera Wroc\u0142awska wystawia\u0142a z wielkim rozmachem widowiska wagnerowskie w Hali Stulecia.<\/b><\/h5>\n

,,Pami\u0119tam incydent z bardzo ciemnym, mo\u017ce nawet czarnym kotem, zwi\u0105zanym prawdopodobnie z Hal\u0105 Stulecia, mi\u0142o\u015bnikiem sztuki, zw\u0142aszcza muzyki i mi\u0119sa. Ch\u0119tnie pojawia\u0142 si\u0119 na pr\u00f3bach do Tetralogii ,,Pier\u015bcie\u0144 Nibelunga” Ryszarda Wagnera i zajmowa\u0142 (najcz\u0119\u015bciej w przerwie) krzes\u0142o jakiego\u015b muzyka, po czym zasypia\u0142 przy wt\u00f3rze ca\u0142ej orkiestry.\u00a0<\/span><\/p>\n

Muzyk, cho\u0107 m\u00f3g\u0142 wym\u00f3wi\u0107 si\u0119 od dalszej gry, najcz\u0119\u015bciej dostawia\u0142 inne krzes\u0142o b\u0105d\u017a przechodzi\u0142 do nast\u0119pnego wolnego pulpitu\u2026 Kota za\u015b, zwanego Duchem Wagnera, usypia\u0142y jak s\u0105dz\u0119 mi\u0119kkie tony alt\u00f3wek (najcz\u0119\u015bciej przy nich zagrzewa\u0142 miejsce), wiolonczel i tub wagnerowskich. Nie budzi\u0142 si\u0119 nawet na d\u017awi\u0119k wi\u0119kszej liczby instrument\u00f3w, ale orkiestra tutti \u2013 zw\u0142aszcza wraz z wind machine i zestawem kowade\u0142 w forte, kt\u00f3re ilustrowa\u0142y wykuwanie mieczy \u2013 to ju\u017c by\u0142o dla niego za du\u017co. W\u00f3wczas zeskakiwa\u0142 z krzes\u0142a, szed\u0142
\nz wyrazem niesmaku na twarzy wzd\u0142u\u017c pulpit\u00f3w, potem obok dyrygenta lub dyrygentki i znika\u0142 w mroku foteli publiczno\u015bci by zn\u00f3w pojawi\u0107 si\u0119 nast\u0119pnego dnia\u2026<\/p>\n

Taka historia.\u201d<\/span><\/p>\n

Bardzo dzi\u0119kujemy za t\u0119 histori\u0119 o mi\u0142o\u015bniku \u0142agodniejszych d\u017awi\u0119k\u00f3w, jak wiadomo koty <\/span>ceni\u0105 sobie spok\u00f3j i harmoni\u0119 \ud83d\ude09<\/span> s\u0142yn\u0105 te\u017c ze swojego wybrednego charakteru, dlatego obecno\u015b\u0107 na sali takiego krytyka to zaszczyt!\u00a0<\/span><\/p>\n

Przypominamy, ju\u017c 17 lutego \u015awiatowy Dzie\u0144Kota! Na zdj\u0119cia Waszych pupili czekamy do 14 lutego pod adresem bp@opera.wroclaw.pl! Tym razem do podsy\u0142ania zdj\u0119\u0107 zach\u0119caj\u0105 czworono\u017cni przyjaciele Roberta Petryny \u2013 Odyn i Ghandi!<\/p>\n

\"\"<\/p>\n

 <\/p>\n

About a cat called Wagner’s Ghost<\/strong><\/p>\n

We asked you for pictures of cats and stories about tchem connected with opera. Mr Henryk Kozio\u0142 from the Wroc\u0142aw Opera Orchestra shared with us the story of a cat that loved the music by our Orchestra.\u00a0<\/strong>The story took place in the years 2003-2006, when the Wroc\u0142<\/strong>aw<\/strong>Opera was staging Wagnerian performances i<\/strong>n the Centennial Hall.<\/strong><\/p>\n

\u00a0<\/strong>I remember an incident with a very dark, maybe even black cat, probably connected with the Centennial Hall, an art lover, lover of the music and meat. He would eagerly appear at rehearsals for Richard Wagner’s “Ring of the Nibelung” and occupy a musician’s chair (usually during intermission), after which he would fall asleep to the accompaniment of the entire orchestra.<\/p>\n

The musician, although he could exclude himself from further playing, would usually get another chair or move to the next vacant console… The cat, called the Wagner\u2019s Ghost, was put to sleep by the soft tones of the violas (he usually kept his seat by them), cellos and Wagnerian tubas.\u00a0He would not even wake up to the sound of more instruments, but an orchestra tutti – especially together with a wind machine and a set of anvils in forte, which illustrated the forging of swords – was already too much for him. Then he would jump off his chair, walk with a look of distaste on his face along the consoles, then next to the conductor or conductoress and disappeared in the darkness of the audience’s seats to reappear again the next day…<\/p>\n

This is the story.”<\/p>\n

Thank you so much for the story about a lover of softer sounds, as you know cats appreciate peace and harmony\u00a0\ud83d\ude09\u00a0they are also famous for their fussy nature, so to have such a critic present is an honour!<\/p>\n

Just a reminder, it’s World Cat Day on 17 February! We are waiting for your pets’ photos till 14th February at\u00a0bp@opera.wroclaw.pl<\/a>! This time Robert Petryna’s four-legged friends – Odin and Ghandi – encourage you to send in your photos!<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Poprosili\u015bmy Was o zdj\u0119cia kot\u00f3w i opowie\u015bci o kotach zwi\u0105zanych z oper\u0105. Pan Henryk Kozio\u0142 z Orkiestry Opery Wroc\u0142awskiej podzieli\u0142 si\u0119 nami histori\u0105 kota, kt\u00f3ry kocha\u0142 muzyk\u0119 w wykonaniu naszej Orkiestry. Rzecz dzia\u0142a si\u0119 w latach 2003-2006, kiedy Opera Wroc\u0142awska wystawia\u0142a z wielkim rozmachem widowiska wagnerowskie w Hali Stulecia. ,,Pami\u0119tam incydent z bardzo ciemnym, mo\u017ce […]<\/p>\n","protected":false},"author":10,"featured_media":1345,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1338","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualnosci"],"_links":{"self":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1338"}],"version-history":[{"count":3,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1338\/revisions"}],"predecessor-version":[{"id":1346,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1338\/revisions\/1346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/media\/1345"}],"wp:attachment":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}