{"id":1797,"date":"2022-05-28T13:00:31","date_gmt":"2022-05-28T11:00:31","guid":{"rendered":"https:\/\/newsletter.opera.wroclaw.pl\/?p=1797"},"modified":"2022-05-28T13:00:31","modified_gmt":"2022-05-28T11:00:31","slug":"informacja-od-dyrektor-opery-wroclawskiej-haliny-oldakowskiej","status":"publish","type":"post","link":"https:\/\/newsletter.opera.wroclaw.pl\/?p=1797","title":{"rendered":"Informacja od dyrektor Opery Wroc\u0142awskiej Haliny O\u0142dakowskiej"},"content":{"rendered":"<p class=\"p1\">Szanowni Pa\u0144stwo,<\/p>\n<p class=\"p1\">w dniu 27 maja w lokalnym wroc\u0142awskim dodatku do \u201eGazety Wyborczej\u201d ukaza\u0142 si\u0119 artyku\u0142 powo\u0142uj\u0105cy si\u0119 na wyniki kontroli w Operze Wroc\u0142awskiej, kt\u00f3re nie <span class=\"s1\">pochodz\u0105 z ostatecznego raportu kontroli. W artykule znalaz\u0142y si\u0119 nie\u015bcis\u0142o\u015bci i aby zapobiec ich ewentualnemu rozpowszechnianiu wyja\u015bniamy najwa\u017cniejsze z nich.<\/span><\/p>\n<p class=\"p4\">\u201eGazeta Wyborcza\u201d twierdzi, \u017ce Opera Wroc\u0142awska zako\u0144czy\u0142a rok 2021 z wynikiem minus 3,8 mln z\u0142 nazywaj\u0105c go d\u0142ugiem, sugeruj\u0105c tym samym, \u017ce instytucja zalega z regulowaniem swoich zobowi\u0105za\u0144. Tymczasem Opera Wroc\u0142awska nie ma d\u0142ug\u00f3w &#8211; stan zobowi\u0105za\u0144 wymagalnych na 31 grudnia 2021 wynosi\u0142 0 z\u0142, a wynik ujemny 3,8 mln z\u0142 wynika z faktu, i\u017c rozliczenie cz\u0119\u015bci przychod\u00f3w uzyskanych w 2021 roku przypad\u0142o na rok nast\u0119pny. Opera utrzyma\u0142a i utrzymuje p\u0142ynno\u015b\u0107 finansow\u0105 i reguluje swoje zobowi\u0105zania na bie\u017c\u0105co.<\/p>\n<p class=\"p4\">Ponadto w I kwartale 2022 roku zosta\u0142 wygenerowany wynik dodatni wbrew temu, co czytamy w artykule. Zgodnie z meldunkami finansowymi wszystkie trzy miesi\u0105ce pierwszego kwarta\u0142u 2022 roku mia\u0142y wynik dodatni, a I kwarta\u0142 zako\u0144czy\u0142 si\u0119 w Operze Wroc\u0142awskiej z prawie 300 tysi\u0105cami z\u0142 na plusie. Tymczasem w artykule w \u201eGazecie Wyborczej\u201d czytamy, \u017ce wynik za I kwarta\u0142 tego roku jest ujemny.<\/p>\n<p class=\"p4\">O otwartej linii w bankowym rachunku bie\u017c\u0105cym organizator jest powiadamiany w comiesi\u0119cznych sprawozdaniach. Dyrektor zaci\u0105ga zobowi\u0105zania w ramach ustawowych uprawnie\u0144, a taka linia jest takim samym zobowi\u0105zaniem jak ka\u017cde inne, co jest naturalne w sytuacji, w kt\u00f3rej Opera Wroc\u0142awska ma zadanie samodzielnie wypracowywa\u0107 30 proc. swojego bud\u017cetu.<\/p>\n<p class=\"p4\">Jednocze\u015bnie przy tej okazji informujemy, \u017ce od grudnia 2021 roku pracownicy Opery Wroc\u0142awskiej otrzymuj\u0105 wyr\u00f3wnania i podwy\u017cki wynagrodze\u0144. Dzi\u0119ki staraniom dyrekcji\u00a0bud\u017cet na wynagrodzenia wzr\u00f3s\u0142 o 1\/5 w 2022 roku.<\/p>\n<p class=\"p4\">Podniesienie bud\u017cetu na p\u0142ace pracownik\u00f3w Opery Wroc\u0142awskiej w roku 2022 oznacza, \u017ce:<\/p>\n<ul class=\"ul1\">\n<li class=\"li1\"><span class=\"s1\">ka\u017cdy pracownik pracuj\u0105cy na etacie b\u0119dzie otrzymywa\u0142 pensj\u0119 podstawow\u0105 w wysoko\u015bci przewy\u017cszaj\u0105cej p\u0142ac\u0119 minimaln\u0105, tj. obecnie 3010 z\u0142 brutto, przy czym najni\u017csze wynagrodzenie jest wy\u017csze o 600 z\u0142 od tej kwoty<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">zosta\u0142y zlikwidowane kominy p\u0142acowe na tych samych stanowiskach, a niekt\u00f3re stanowiska zosta\u0142y na nowo wycenione<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">\u015brednia kwota regulacji wynios\u0142a 767 z\u0142, a pracownicy artystyczni otrzymali \u015brednio 901 z\u0142.<\/span><\/li>\n<\/ul>\n<p class=\"p4\">Artyku\u0142 taki jak ten w \u201eGazecie Wyborczej\u201d nie tylko niszczy dobre imi\u0119 Opery Wroc\u0142awskiej, ale te\u017c wywo\u0142uje nieuzasadniony strach o przysz\u0142o\u015b\u0107 pracownik\u00f3w i naszej instytucji. Publikacja niestety jest efektem braku umiej\u0119tno\u015bci czytania sprawozda\u0144 finansowych oraz podstawowej wiedzy zwi\u0105zanej z bud\u017cetem instytucji kultury.<\/p>\n<p class=\"p4\">Zapewniam Pa\u0144stwa, \u017ce sytuacja jest stabilna i nie ma zagro\u017cenia dla dalszej dzia\u0142alno\u015bci Opery Wroc\u0142awskiej. Po pandemii i zwi\u0105zanymi z ni\u0105 ograniczonymi mo\u017cliwo\u015bciami uzyskiwania przychod\u00f3w, dzi\u0119ki pracy nas wszystkich, nasz teatr szybko wychodzi na prost\u0105.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p4\">Wi\u0119kszo\u015b\u0107 z nas skupia si\u0119 na budowaniu dobrego imienia Opery Wroc\u0142awskiej i rozwoju artystycznym za co ogromnie Pa\u0144stwu dzi\u0119kuj\u0119.<\/p>\n<p class=\"p4\">Halina O\u0142dakowska<\/p>\n<p class=\"p4\">Dyrektor Opery Wroc\u0142awskiej<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Dear Sirs,<\/p>\n<p class=\"p1\">On May 27th, the local Wroc\u0142aw supplement to &#8220;Gazeta Wyborcza&#8221; published an article citing the results of the audit of the Wroc\u0142aw Opera House that do not come from the final audit report. The article contains inaccuracies and in order to prevent their possible distribution, we explain the most important ones.<\/p>\n<p class=\"p1\">&#8220;Gazeta Wyborcza&#8221; claims that Wroc\u0142aw Opera ended the year 2021 with a result of minus 3.8 million zlotys calling it a debt, thus suggesting that the institution is not paying its obligations. In fact, Wroc\u0142aw Opera has no debts &#8211; the balance of liabilities due as of 31 December 2021 amounted to PLN 0. The negative result of PLN 3.8 million results from the fact that the settlement of a part of revenues obtained in 2021 fell in the following year. The Opera has maintained and is maintaining liquidity and is paying its liabilities on a current basis.<\/p>\n<p class=\"p1\">Moreover, a positive result was generated in Q1 of 2022 contrary to what it\u2019s stated in the article. According to the financial reports, all three months of the first quarter of 2022 had a positive result, and the first quarter ended with almost PLN 300 000 of profit. Meanwhile, the article in &#8220;Gazeta Wyborcza&#8221; says that the result for the first quarter of this year is negative.<\/p>\n<p class=\"p1\">The Organizer of the Wroc\u0142aw Opera is informed about the overdraft facility opened in the bank by the opera in its monthly reports. The director incurs liabilities within the scope of his statutory powers, and such a line is the same liability as any other, which is natural in the situation where Wroc\u0142aw Opera is supposed to work out 30% of its budget on its own.<\/p>\n<p class=\"p1\">At the same time, we would like to take this opportunity to inform you that starting from December 2021, employees of the Wroc\u0142aw Opera are receiving compensation and salary increases. Thanks to the management&#8217;s efforts, the budget for salaries in 2022 has been increased by 1\/5.<\/p>\n<p class=\"p1\">Increased salary budget for Wroc\u0142aw Opera employees in 2022 means that:<\/p>\n<p class=\"p1\">&#8211; every full-time employee will receive a basic salary that exceeds the polish minimum salary, i.e. currently PLN 3010 gross, while the lowest salary is PLN 600 higher than that amount<\/p>\n<p class=\"p1\">&#8211; pay stacks on the same positions have been eliminated and some positions have been newly valued<\/p>\n<p class=\"p1\">&#8211; the average adjustment of the salary amounted to PLN 767 and artistic workers received an average of PLN 901 raise.<\/p>\n<p class=\"p1\">Such articles like one in &#8220;Gazeta Wyborcza&#8221; not only damages the good name of the Wroclaw Opera House but also creates unjustified fear for the future of the employees and our institutions. This publication is the result of a lack of skills in reading financial statements and lack of basic knowledge of the budgets in polish cultural institution.<\/p>\n<p class=\"p1\">I can assure you that the situation of the Wroc\u0142aw Opera House is stable and there is no threat to the continued operation. After the pandemic and the related limited revenue opportunities, thanks to the work of all of us, our theater is quickly getting back on tracks.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">The majority of us are focused on building the good name of the Wroc\u0142aw Opera House and artistic development, for which I thank you all so much.<\/p>\n<p class=\"p1\">Halina O\u0142dakowska<\/p>\n<p class=\"p1\">Director of Wroc\u0142aw Opera House<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Szanowni Pa\u0144stwo, w dniu 27 maja w lokalnym wroc\u0142awskim dodatku do \u201eGazety Wyborczej\u201d ukaza\u0142 si\u0119 artyku\u0142 powo\u0142uj\u0105cy si\u0119 na wyniki kontroli w Operze Wroc\u0142awskiej, kt\u00f3re nie pochodz\u0105 z ostatecznego raportu kontroli. W artykule znalaz\u0142y si\u0119 nie\u015bcis\u0142o\u015bci i aby zapobiec ich ewentualnemu rozpowszechnianiu wyja\u015bniamy najwa\u017cniejsze z nich. \u201eGazeta Wyborcza\u201d twierdzi, \u017ce Opera Wroc\u0142awska zako\u0144czy\u0142a rok 2021 [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":1799,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualnosci"],"_links":{"self":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1797"}],"version-history":[{"count":4,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1797\/revisions"}],"predecessor-version":[{"id":1856,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/1797\/revisions\/1856"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/media\/1799"}],"wp:attachment":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}