{"id":520,"date":"2021-12-21T11:16:08","date_gmt":"2021-12-21T10:16:08","guid":{"rendered":"https:\/\/newsletter.opera.wroclaw.pl\/?p=520"},"modified":"2021-12-23T12:50:27","modified_gmt":"2021-12-23T11:50:27","slug":"wpis-nr-2","status":"publish","type":"post","link":"https:\/\/newsletter.opera.wroclaw.pl\/?p=520","title":{"rendered":"LEPIEJ SI\u0118 POZNAJMY: SIEDMIU WSPANIA\u0141YCH"},"content":{"rendered":"

7 wspania\u0142ych czyli dzia\u0142 o\u015bwietlenia sceny<\/h3>\n

To oni dodaj\u0105 blasku wystawianym u nas operom. Odpowiadaj\u0105 za estetyk\u0119 wizualn\u0105 ka\u017cdego spektaklu, za opraw\u0119 \u015bwietlno-multimedialn\u0105. Ka\u017cda \u017car\u00f3wka i lampa \u015bwieci dzi\u0119ki nim i tak jak chc\u0105. Ich talent i wyobra\u017ani\u0119 wroc\u0142awianie mogli podziwia\u0107, kiedy o\u015bwietlili gmach Opery Wroc\u0142awskiej z okazji 180 lat jego istnienia i wy\u015bwietlili na niej urodzinow\u0105 projekcj\u0119.<\/h5>\n

Kamil Jach <\/b>kierownik zespo\u0142u o\u015bwietlenia to jego dobry duch. Wychowa\u0142 si\u0119 w Operze Wroc\u0142awskiej, cho\u0107 nie by\u0142o jeszcze wtedy Operank\u00f3w. Kiedy by\u0142 dzieckiem tata zabiera\u0142 go ze sob\u0105 do pracy w operze, zw\u0142aszcza w wakacje. Zna prawie ka\u017cdego i jest bardzo z\u017cyty z zespo\u0142em. Poza oper\u0105 pracowa\u0142 mi\u0119dzy innymi przy na przyk\u0142ad Pol\u2019and\u2019Rock Festival oraz gwiazdach \u015bwiatowego formatu: Queen, Scorpions i Linkin Park.<\/span><\/p>\n

Kiedy\u015b trenowa\u0142 siatk\u00f3wk\u0119, ale…<\/p>\n

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– Kr\u0119gos\u0142up ma si\u0119 jeden. Z czego\u015b trzeba by\u0142o zrezygnowa\u0107. Teraz praca w operze jest jak si\u0142ownia: najci\u0119\u017csze lampy wa\u017c\u0105 po 50 kg – m\u00f3wi.<\/p>\n<\/blockquote>\n

Tata Kamila Bogus\u0142aw Jach <\/b>jest brygadierem, a tak naprawd\u0119 cz\u0142owiekiem instytucj\u0105, bo w ca\u0142ym zespole opery cieszy si\u0119 najwi\u0119kszym zaufaniem. Rozmawiali\u015bmy z nim o zwierz\u0119tach w Operze Wroc\u0142awskiej w kontek\u015bcie \u201eWolnego Strzelca\u201d, w kt\u00f3rym wyst\u0119puj\u0105 dwa charty. Bogus\u0142aw Jach wspomina, \u017ce psy by\u0142y ju\u017c wcze\u015bniej w \u201eHalce\u201d. Gra\u0142y te\u017c koty (miaucza\u0142y w \u201eCyruliku Sewilskim\u201d), wielb\u0142\u0105dy (w \u201eAidzie\u201d wystawianej w Hali Stulecia w 1995 roku) i konie. Po tym, jak w latach 90. w koncercie wiede\u0144skim solista wjecha\u0142 na scen\u0119 na pi\u0119knym ogierze w operze kr\u0105\u017cy\u0142a anegdota, \u017ce jego ga\u017ca by\u0142a wy\u017csza od honorarium \u015bpiewaka. Pojawia\u0142y si\u0119 te\u017c cz\u0119sto kury i kaczki: w \u201eSkrzypku na dachu\u201d, w \u201eKrakowiakach i g\u00f3ralach\u201d w re\u017cyserii Krzysztofa Kolbergera. <\/b><\/p>\n

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– Jedna z kurek w trakcie przedstawienia lata\u0142a sobie po scenie a\u017c przefrun\u0119\u0142a z proscenium i wyl\u0105dowa\u0142a na barierce orkiestrowej. Do antraktu spokojnie sobie po niej chodzi\u0142a – opowiada Bogus\u0142aw Jach.<\/p>\n<\/blockquote>\n

Wiele gwiazd na najwi\u0119kszych festiwalach w Polsce wyst\u0119powa\u0142o w \u015bwietle lamp ustawianych przez operatora \u015bwiat\u0142a scenicznego Grzegorza Podbieg\u0142owskiego<\/b>. Jednym ruchem m\u00f3g\u0142 im doda\u0107 lub uj\u0105\u0107 lat\u2026<\/p>\n

Bartosz Nowacki, <\/b>elektryk o\u015bwietlenia scen, z zami\u0142owania wali w talerze. Jest perkusist\u0105 w zespole The Great White Lights.<\/span><\/p>\n

\"\"<\/p>\n

W zespole o\u015bwietlenia pracuje te\u017c Pawe\u0142 Oleksiak – <\/b>brygadier, Wojciech Zacharski – <\/b>operator system\u00f3w multimedialnych i Karol R\u0119bisz <\/b>– realizator o\u015bwietlenia sceny i multimedi\u00f3w.<\/p>\n

O\u015bwietleniowc\u00f3w zosta\u0142o siedmiu, bo w listopadzie po przepracowaniu 37 lat w Operze Wroc\u0142awskiej na emerytur\u0119 przeszed\u0142 Czes\u0142aw Danielewsk<\/b>i. To jeden z tych pracownik\u00f3w, kt\u00f3rzy mogliby dopisa\u0107 kawa\u0142ek historii naszej opery. Wcze\u015bniej pracowa\u0142 w drukarni, ale przeni\u00f3s\u0142 si\u0119 do opery, bo w tamtych czasach nie mo\u017cna by\u0142o swobodnie wyje\u017cd\u017ca\u0107 za granic\u0119, a z oper\u0105 by\u0142o to mo\u017cliwe. Pierwszy raz na Zach\u00f3d wyjecha\u0142 z \u201eW\u0142oszk\u0105 w Algierze\u201d do RFN. Potem najcz\u0119\u015bciej je\u017adzi\u0142 ze spektaklami do Niemiec, W\u0142och, Francji. Zawsze dba\u0142 o to, aby jak najlepiej ustawi\u0107 \u015bwiat\u0142a do scenografii i o\u015bwietli\u0107 artyst\u00f3w.<\/p>\n

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Co zamierza teraz robi\u0107? – Na pewno nie pracowa\u0107. Mam 45 letni sta\u017c i ju\u017c wystarczy. Wyjad\u0119 na wie\u015b do rodziny i b\u0119d\u0119 spokojnie \u017cy\u0107 – m\u00f3wi pan Czes\u0142aw.<\/p>\n<\/blockquote>\n

I tego mu \u017cyczymy i dzi\u0119kujemy za wszystko!<\/p>\n

Wszystkim dzi\u0119kujemy za czas i rozmowy, wkr\u00f3tce zapukamy do kolejnych os\u00f3b. \ud83d\ude42<\/p>\n

 <\/p>\n

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 <\/p>\n

The seven great ones or the stage lighting department<\/strong><\/h3>\n

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It is about them who add brilliance to the operas staged with us. They are responsible for the visual aesthetics of each performance, for the light and multimedia setting. Thanks to them every bulb and lamp shines in the way they want. Their talent and imagination could be admired by the citizens of Wroc\u0142aw when they illuminated the Wroc\u0142aw Opera House on the occasion of its 180th anniversary and projected a birthday show on it.<\/strong><\/h5>\n

Kamil Jach<\/strong>, the head of the lighting team, is its good spirit. He grew up in the Wroc\u0142aw Opera, although there were no Operans back then. When he was a child, his dad used to take him with him to work at the opera, especially during holidays. He knows almost everyone and is very close to the team. In addition to the opera, he has worked for example at the Pol’and’Rock Festival and with world stars: Queen, Scorpions and Linkin Park.<\/p>\n

He used to practice volleyball, but…<\/p>\n

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– You only have one spine. You had to give up something. Now working at the opera is like a gym: the heaviest lamps weigh 50 kg each,” he says.<\/p>\n<\/blockquote>\n

Kamil’s dad Bogus\u0142aw Jach<\/strong> is a foreman, in fact an institution, because he is the most trusted man in the whole opera company. We talked to him about animals at Wroc\u0142aw Opera in the context of ”\u00a0Der Freisch\u00fctz”, which features two greyhounds. Bogus\u0142aw Jach recalls that dogs have been in “Halka” before. They also played cats (meowing in “The Barber of Seville”), camels (in “Aida” staged in the Centennial Hall in 1995) and horses. After a soloist rode onto the stage on a beautiful stallion in a Vienna concert in the 1990s, an anecdote circulated in the opera house that his fee was higher than that of the singer. There were also frequent appearances of chickens and ducks: in “Fiddler on the Roof” and “Cracovians and Highlanders” directed by Krzysztof Kolberger.<\/p>\n

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– During the performance one of the hens was flying around the stage until it flew off the proscenium and landed on the orchestra railing. Until the intermission it was calmly walking on it – says Bogus\u0142aw Jach.<\/p>\n<\/blockquote>\n

Many stars at the biggest festivals in Poland performed under the light of lamps set by stage lighting operator Grzegorz Podbieg\u0142owski<\/strong>. With one move, he could add or subtract years from them…<\/p>\n

Bartosz Nowacki<\/strong>, electrician of stage lighting, is fond of banging on cymbals. He is the drummer in The Great White Lights band.<\/p>\n

The lighting team also employs Pawe\u0142 Oleksiak<\/strong> – brigadier, Wojciech Zacharsk<\/strong>i – multimedia systems operator and Karol R\u0119bisz<\/strong> – stage and multimedia lighting engineer.<\/p>\n

There are seven lighting engineers left, as Czes\u0142aw Danielewski<\/strong> retired in November after 37 years of working for the Wroc\u0142aw Opera. He is one of those employees who could write a piece of history of our opera. He used to work in a printing house, but moved to the opera house because in those days you could not travel abroad freely, and with the opera house it was possible. His first trip to the West was with “L’Italiana in Algeri” in West Germany. After that, he usually travelled with performances to Germany, Italy and France. He always took care to set the lights for the scenery and illuminate the artists as well as possible.<\/p>\n

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What is he going to do now? – Definitely not work. I have 45 years of experience and that is enough.\u00a0I’ll go to the countryside to my family and live in peace,” says Czes\u0142aw.<\/p>\n<\/blockquote>\n

And that is what we wish him and thank him for everything!<\/p>\n

Thank you all for your time and conversations, we will be knocking on more people’s doors soon.<\/p>\n

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7 wspania\u0142ych czyli dzia\u0142 o\u015bwietlenia sceny To oni dodaj\u0105 blasku wystawianym u nas operom. Odpowiadaj\u0105 za estetyk\u0119 wizualn\u0105 ka\u017cdego spektaklu, za opraw\u0119 \u015bwietlno-multimedialn\u0105. Ka\u017cda \u017car\u00f3wka i lampa \u015bwieci dzi\u0119ki nim i tak jak chc\u0105. Ich talent i wyobra\u017ani\u0119 wroc\u0142awianie mogli podziwia\u0107, kiedy o\u015bwietlili gmach Opery Wroc\u0142awskiej z okazji 180 lat jego istnienia i wy\u015bwietlili na […]<\/p>\n","protected":false},"author":10,"featured_media":841,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualnosci"],"_links":{"self":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=520"}],"version-history":[{"count":24,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/520\/revisions"}],"predecessor-version":[{"id":875,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/posts\/520\/revisions\/875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=\/wp\/v2\/media\/841"}],"wp:attachment":[{"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsletter.opera.wroclaw.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}